Tatort

Forced eviction in Berlin: On a cold November morning, Otto Wagner (Peter René Lüdicke) has to leave the apartment with his family. After the takeover of the apartment building by Ceylan Immobilien, it is gradually being vacated. Old appointments are no longer valid and so Axel Schmiedtchen's (Ingo Hülsmann) moving company ensures a quick, clean handover. Forced eviction in Berlin: On a cold November morning, Otto Wagner (Peter René Lüdicke) has to leave the apartment with his family. After the takeover of the apartment building by Ceylan Immobilien, it is gradually being vacated. Old appointments are no longer valid and so Axel Schmiedtchen's (Ingo Hülsmann) moving company ensures a quick, clean handover. Until recently, the house was still a symbol of the famous "Berlin mix".
Now Gülay Ceylan (Özay Fecht), the head of the small family business, wants to refurbish the house in order to later convert it into condominiums. But there is resistance. Four tenants in the house are clinging to their affordable apartments, they absolutely want to keep them. And everyone has their reasons for it. The young Malovcic family has children, the old woman Kirschner (Friederike Frerichs) has lived in the house for almost 60 years, Jenny Nowack (Berit Künnecke) is a single parent, her children have friends in the neighborhood and Peter de Boer (Tijmen Govaerts) earns his living as a freelancer journalist hardly anything. He fights with his rent rebels in the social networks against injustice on the Berlin housing market.
When the junior boss of the real estate company, Cem Ceylan (Murat Dikenci), lies dead in front of the house, the Berlin murder commission has a new case. Rubin (Meret Becker) and Karow (Mark Waschke) investigate in the times of Covid-19 in the apartment building in Wedding. The two inspectors are confronted with Berlin's rent madness and people's existential concern for their "third skin", the four walls in which they live and which are more than just their home.